Never afraid to shed the pretense of academic poetry, never shy of letting the power of an image lie in unadorned language, Mary Oliver offers us poems of arresting beauty that reflect on the power of love and the great gifts of the natural world. Inspired by the familiar lines from William Wordsworth, “To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears,” she uncovers the evidence presented to us daily by nature, in rivers and stones, willows and field corn, the mockingbird’s “embellishments,” or the last hours of darkness.
About the Author
A private person by nature, Mary Oliver (1935–2019) gave very few interviews over the years. Instead, she preferred to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published twenty books of poetry and six books of prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008).
Praise for Evidence: Poems
“A ‘nature’ poet in the league of Wordsworth, whose poetry is said to have inspired this volume. . . There is still almost audible excitement in her literary voice, but her nature mysticism seems to have reached a stage more of stillness—a quiet that is not so much a quality as a presence that informs most of her images . . . A subtle collection that sometimes teaches but never preaches. All the usual Oliver themes—the divine in the physical world, the importance of having loved, the power and consolation of words—are present.”
—Tim Pfaff, Bay Area Reporter
“Gloriously alive, inquisitive, and welcoming. A prolific and cherished poet, [Oliver] makes readers feel as though they’ve been part of the quest for wisdom and grace she records in her lucid, giving, prayerful poems . . . Gratitude is the mode here, and sustained attention is the vehicle . . . Within each lifting lyric, Oliver declares all of life holy.”
—Donna Seaman, Booklist
“I think of Oliver as a fierce, uncompromising lyricist, a loyalist of the marshes. Hers is a voice we desperately need.”