Discounted

Every Tongue Got to Confess: Negro Folk-tales from the Gulf States

Zora Neale Hurston

$17.99 $14.99

Publication Date: October 1st, 2002

Publisher:

Amistad

ISBN:

9780060934545

Pages:

320

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Description

A recently discovered collection of folktales celebrating African American oral tradition, community, and faith...”splendidly vivid and true.”—New York Times

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.

The bittersweet and often hilarious taleswhich range from longer narratives about God, the Devil, White Folk, and Mistaken Identity to witty one-linersreveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates the African American life in the rural South and represent a major part of Zora Neale Hurstons literary legacy.

About the Author

Zora Neale Hurston was a novelist, folklorist, and anthropologist. She wrote four novels (Jonah’s Gourd Vine, 1934; Their Eyes Were Watching God, 1937; Moses, Man of the Mountains, 1939; and Seraph on the Suwanee, 1948); two books of folklore (Mules and Men, 1935, and Every Tongue Got to Confess, 2001); a work of anthropological research, (Tell My Horse, 1938); an autobiography (Dust Tracks on a Road, 1942); an international bestselling nonfiction work (Barracoon: The Story of the Last “Black Cargo,” 2018); and over fifty short stories, essays, and plays. She attended Howard University, Barnard College, and Columbia University and was a graduate of Barnard College in 1928. She was born on January 7, 1891, in Notasulga, Alabama, and grew up in Eatonville, Florida.

Praise for Every Tongue Got to Confess: Negro Folk-tales from the Gulf States

“[An] entertaining collection . . . A rich harvest of native storytelling.” — Kirkus Reviews

“What treasures these are--mordantly clever and quintessentially human stories about God and the creation of the black race, the devil, preachers wily and foolish, animals, the battle between the sexes, and slaves who outsmart their masters. Invaluable tales of mischief and wisdom, spirit and hope.” — Booklist

“A real song of the South.” — Elle Magazine

“[A] delightful collection of authentic African American folklore . . . Highly recommended.” — Library Journal

“An extraordinary treasure.” — Boston Globe

“Splendidly vivid and true...A sharp immediacy and a fine supply of down to earth humor. In stories that are variously jokey, angry, bawdy, wildly fanciful or Reader’s Digest-style anecdotal, the speakers present a world in which anything is possible and human nature is crystal clear.” — New York Times

“Entertaining and thought provoking.” — Vibe

“Paint[s] a vivid portrait of the turn-of-the-century South.” — Washington Post

“Overwhelmingly good...luminous tales.” — Oregonian

“Quite funny, and profoundly emblematic.” — San Francisco Chronicle

“Unadorned testaments to the suffering and the vibrant, creative humor of her [Hurston’s] people.” — Book Magazine

“Stories rich in insight [and] humor.” — Rocky Mountain News

“Fascinating, funny...priceless.” — Cleveland Plain Dealer

“[Every Tongue Got to Confess] is vibrant, evocative, heartwarming and sometimes hilarious...Like no other in its richness and variety.” — Philadelphia Inquirer